Excerpted from Kirkus
Reviews: “The relationships between white
middle-class women and their black maids in Jackson, Mississippi, circa 1962,
reflect larger issues of racial upheaval in…Stockett's ambitious first novel. …recent Ole Miss graduate Skeeter [Phelan] returns
to Jackson longing to be a serious writer. While playing bridge with…friends
Hilly and Elizabeth, she asks Elizabeth's seemingly docile maid Aibileen for
housekeeping advice to fill the column she's been hired to pen for a local
paper. The two women begin what Skeeter considers a semi-friendship, but
Aibileen…is careful what she shares…Encouraged by a New York editor, [Skeeter]
decides to write a book about the experience of black maids and enlists
Aibileen's help. For Skeeter the book is primarily a chance to prove herself as
a writer. The stakes are much higher for the black women who put their lives on
the line by telling their true stories. Although the exposé is published
anonymously, the town's social fabric is permanently torn. Stockett uses
telling details to capture the era and does not shy from showing Skeeter's
dangerous naiveté. Skeeter's narration is alive with complexity—her loyalty to
her traditional Southern mother remains even after she learns why the beloved
black maid who raised her has disappeared. In contrast, Stockett never truly
gets inside Aibileen and Minnie's heads (a risk the author acknowledges in her
postscript). The scenes written in their voices verge on patronizing.”
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